Translucid cityscape with Sonny Barger Harley Davidson conceptualism.
Showing the styllistic difference between the Hells Angels Motorcycle Club and the American Motorcycle Association.
Text: STEFAN TIRON (from GRAND PRIX REMIX exhibition catalog).
GRAND PRIX REMIX paintings act as re-combinatory windows. Stylistically speaking it’s about subway freezine aesthetics, popneodada, infrared vision, downtown situationism, billboard serialism, Naboo Neo-Byzantinism, Romanian Neo-Mexicanism and German Neo-Expressionism (that’s a bit over the top), applied on a sudden cargo-cult mood. These works are part of series that dealt with the conceptual and visual remixes which are usually used to recollect reality.
Posted by Nicolae Comanescu at 12:10 AM